The Lexis Strapless Ballerina Dress, $495, is so Charlotte York, am I right? At least in the earlier seasons of Sex and the City--it's a pretty youthful dress, so I doubt we'll be seeing it in the sequel. And yes, I will be seeing the movie opening weekend just to find out how Charlotte's perfect family is, and what adorable outfits she's wearing in Dubai, and also because Aiden looks better every time they bring him back, I mean seriously, goddamn. Anyway, the dress: the colors remind me of ice cream or cotton candy--it's like what the world's loveliest candy shop clerk would wear. I'd like to see it with a belt in a more contrasting color, like a deeper shade of purple or navy blue. A skinny black studded belt might even work, for a badass ballerina (like Zoe Saldana's character in Center Stage) look.
The Clara '20s Bugle Beaded Dress, $440, could so easily veer into costume territory, as it has a very distinct flapper vibe. But instead, the simple shape and art deco beading keep it from going over-the-top, and it looks like the model just threw it on, walked out the door, and was effortlessly stunning. No jewelry, just a little makeup, simple shoes; let the dress take the spotlight.
Foley + Corrina is another label that I like to browse on ShopBop--there must be something about that plus sign that draws me in.
The Origami Dress, $460, is in the same vein as a lot of gowns we saw at this past season's awards shows (someone with a better memory then me could supply some names--I'm thinking Anne Hathaway but could be wrong). But in many red carpet cases, I found those dresses to be so architectural/sculptural that they looked wrong on a human body. But this dress manages to put that very structured design on a dress that's flattering and looks fun to wear. The ruffle up the skirt is flirty and a bit bohemian, while the gathering on the bodice looks more deliberately shaped (it reminds me a bit of the tissue paper roses you made in kindergarten, but done in a high-fashion way)--no matter where you wear this, no girl in the room will be able to compare. I also adore the rose pink silk peeking out from the nude fabric, which prevents the dreaded washed effect that often happens with neutral colors.
The Clara '20s Bugle Beaded Dress, $440, could so easily veer into costume territory, as it has a very distinct flapper vibe. But instead, the simple shape and art deco beading keep it from going over-the-top, and it looks like the model just threw it on, walked out the door, and was effortlessly stunning. No jewelry, just a little makeup, simple shoes; let the dress take the spotlight.
Foley + Corrina is another label that I like to browse on ShopBop--there must be something about that plus sign that draws me in.
The Origami Dress, $460, is in the same vein as a lot of gowns we saw at this past season's awards shows (someone with a better memory then me could supply some names--I'm thinking Anne Hathaway but could be wrong). But in many red carpet cases, I found those dresses to be so architectural/sculptural that they looked wrong on a human body. But this dress manages to put that very structured design on a dress that's flattering and looks fun to wear. The ruffle up the skirt is flirty and a bit bohemian, while the gathering on the bodice looks more deliberately shaped (it reminds me a bit of the tissue paper roses you made in kindergarten, but done in a high-fashion way)--no matter where you wear this, no girl in the room will be able to compare. I also adore the rose pink silk peeking out from the nude fabric, which prevents the dreaded washed effect that often happens with neutral colors.
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